[20] Houston explained that by the time she became a wife and mother, she was not "quite feeling like Cinderella" anymore, believing that portraying the ingenue would require significant "reaching" for herself as an actress. "[29] Chase hoped that the film mirroring an evolving society "will touch every child and the child in every adult",[19] encouraging "children of all colors [to] dream. All of these elements make watching or re-watching the film incredible, but a deeper look reveals a main reason why it was enchanting to begin with: The whole film is refreshingly diverse. When Cinderella's stepfamily return home, they begin sharing embellished recounts of their evening. Cinderella is a musically-driven bold new take on the traditional story you grew up with. [89], Fuse broadcast Rodgers & Hammerstein's Cinderella on November 2, 2017 in honor of the film's 20th anniversary,[51] naming the television special A Night Of Magic: 20th Anniversary of Rodgers & Hammerstein's Cinderella. Cinderella currently has a score of 97% on Rotten Tomatoes. [15] According to the Nielsen ratings, Cinderella averaged a 22.3 rating and 31 share (although it was originally estimated that the program had earned only an 18.8 rating),[9][78] which is believed to have been bolstered by the film's strong appeal towards women and adults between the ages of 18 and 49. Brand new: Lowest price. [34] Having grown up watching Caucasian actresses portray Cinderella, Houston felt that 1997 was "a good time" to cast a woman of color as the titular character, claiming the choice to use a multi-cultural cast "was a joint decision" among the producers,[35] who agreed that every "generation [should] have their own 'Cinderella'. Rodgers & Hammerstein's Cinderella was nominated for several industry awards, including seven Primetime Emmy Awards, winning one for Outstanding Art Direction for a Variety or Music Program. The Prince returns to the palace, where he is apprehended by his valet Lionel for once again visiting the kingdom disguised as a commoner, and learns that his parents, Queen Constantina and King Maximillian, plan to host a ball in order to find their son a suitable bride, an idea he strongly protests because he would rather marry for love. Blue Jasmine (2013)91%. One Hundred and One Dalmatians (101 Dalmatians) Walt Disney Productions. [52] Broadway lyricist Fred Ebb was recruited to contribute original lyrics to the new arrangement "that melded stylistically with the Hammerstein originals. Using all the gifts I've been given as an advocate, philanthropist, photographer, and author, I bring more than twenty years of leadership, fiscal accountability, stewardship, communication, and . [19][31] Montan, who oversees most of the music for Disney's animated films, had been interested in crossing over into live-action for several years and identified Cinderella as one of the first opportunities in which he was allowed to do so. It's Possible! "[2] Similarly, television critic Ken Tucker, writing for Entertainment Weekly, praised Brandy and Alexander but found that Houston "strikes a wrong note as a sassy, vaguely hostile Fairy Godmother" while dismissing Montalban as "a drearily bland prince" and describing most of the musical numbers as "clunky", predicting that children "will sleep through" the film. [35] In addition to developing a good relationship with each other, the producers established a strong rapport with Rodgers & Hammerstein Organization President Ted Chapin. Critics Consensus: Woody Allen's Blue Jasmine finds the director in peak late-period form -- and benefiting from a superb cast led by Cate Blanchett. Despite being apprehensive about introducing herself to him, the pair bond upon realizing that both are dissatisfied with their sheltered home lives. [17] Although filmmakers are usually hesitant to interpolate songs from other sources into adaptations of Rodgers and Hammerstein's work, Ted Capin, President of the Rodgers & Hammerstein Organization,[10] challenged the producers to conceive "compelling reasons" as to why they should incorporate new material into the remake,[52] allowing the filmmakers significant freedom on the condition that the additions remain consistent with the project. Cinderella grows distracted while waiting upon her stepmother and two stepsisters in the marketplace, where she meets a charming young man. Genres Adventure Drama Family Fantasy Romance. This list shows all films released in 1997, including films that went direct-to-video, or only got an international theatrical release. (4,798) 7.7 1 h 17 min 1965 X-Ray G. A sparkling fantasy of music, magic and romance, Rodgers & Hammerstein's Cinderella captivates from overture to finale with a delightful score and stunning flittering performances from an all-star cast. [15] The film became ABC's most-watched Sunday night program in more than 10 years,[81][82] as well as the most-watched program during the network's two-hour 7:00 pm to 9:00 pm time slot in 1314 years,[9][15][78][83] a record it broke within its first hour of airing. Among the most significant changes made to the musical, several songs from other Rodgers and Hammerstein productions were interpolated into the film to augment its score. [96][97], Playbill's Rebecca Paller reviewed the New York screening as "overflowing with star performances, lavish sets" and "lush rainbow-hued costumes", describing its score as "fresher than ever. [42] The filmmakers found this song particularly easy to incorporate. [93] In July 2020, fans and Brandy herself began heavily petitioning on social media to have the film added to the streaming service Disney+,[94] which currently streams several other Disney-produced film versions of the fairy tale. [17][26] Brandy, who identified "Cinderella" as her favorite fairy tale,[19] was the first person of color to portray the character on screen,[17][27] with both Brandy and Houston becoming the first African-American actresses to play their respective roles in any screen adaptation of the fairy tale,[28][29] although an all-Black modern-day re-telling of "Cinderella" entitled Cindy had premiered in 1978. With its enchanting story, iconic animation, unforgettable characters and plenty of Bibbidi-Bobbidi-Boo. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. However, development was delayed for several years, during which time the network grew disinterested in the project. [146] Media criticism professor Venise Berry found Brandy's casting and performance to be a "wonderful opportunity to reflect the true diversity in our society", writing, "I think that Brandy will help African-American females see there are other possibilities that their lives can blossom into something good, and you don't have to be white for that to happen," in turn making the classic story more accessible "to little black girls" who had believed that ascending into a life of privilege was only possible for white people. Release Date Mar 4, 1950. That in stories, there are no constraints; the only limit is your imagination. With a production budget of $12 million, Rodgers & Hammerstein's Cinderella ranks among the most expensive television films ever made. [20] Houston described her character as "sassy, honest and very direct all the things that you'd like a godmother to be. "[12] Towards the end of filming, the producers realized that they did not have enough money to pay for extras and additional costs, and Disney refused to loan any more money to the production. [16] Houston remained silent for most of the reading, barely engaging with the participants until the end of the table read when she finally declared her approval of the script and eventually sent the actors flowers to apologize for her tardiness. Worldwide$10,000,000. Its recreation in 1965 starring Lesley Ann . She's directed music videos, which I'm not turning my nose up at, many directors have started out directing music videos, but it's just not the same thing. [16] The producers refused,[36] insisting that "The whole point of this whole thing was to have a black Cinderella. [37] Despite concerns that Hart's "biting" lyrics would sound too abrasive against the rest of the score, James, Hammerstein's son, was very much open to the idea. [49] The original song lacked a bridge and was deemed inferior to Houston's trademark vocals,[37] thus it was combined with the bridge from "One Foot, Other Foot" from Rodgers and Hammerstein's musical Allegro (1947). People were clearly still thinking, 'Multicultural is one thing, but do we have to have two black leads? [52], "Falling in Love With Love", which Rodgers wrote with lyricist Lorenz Hart for the musical The Boys from Syracuse (1938), was adapted into a song for Cinderella's stepmother, a character who seldom sings or expresses her innermost feelings in previous adaptations of the fairy tale. You can stream Disney's 1950 classic Cinderella (and its two subsequent sequels) on Disney+, while the Whitney Houston -fronted 1997 adaptation and the 1998 Drew Barrymore movie EverAfter are . [49] Most of the film's cast Brandy, Houston, Cox, Garber, Desselle and Montalban was present; Goldberg and Alexander were unable to attend. [37] Cinderella and the prince are also shown meeting and developing an interest in each other prior to the ball,[38] lessening the "love at first sight" element at the behest of the producers, by having Cinderella and the prince meet and talk to each other first,[37] an idea that would be reused in subsequent adaptations of the story. [36] Despite being late for the final day of auditions, Montalban impressed the producers with his singing voice. . [42] Describing herself as familiar with the "flavor" of Rodgers and Hammerstein's material, Houston opted to perform their songs simply as opposed to her signature pop, R&B or gospel approach. Brandy Norwood, left, and Whitney Houston are part of why "Cinderella" (1997) has withstood the test of time. [108] Television critic Howard Rosenberg, in a review for the Los Angeles Times, described Brandy's singing as superior to her acting, resulting in "a tender, fresh Cinderella". [37] Rodgers & Hammerstein's Cinderella premiered on October 13, 1997 at Mann's Chinese Theatre,[75] which Houston attended with her husband and daughter. While most reviewers praised the film's costumes, sets and supporting cast, particularly Peters, Alexander and Goldberg, television critics were divided over Brandy and Houston's performances, as well as Disney's more feminist approach to Brandy's character. [4], By the late 1990s, Disney had grown interested in reviving their long-running anthology program The Wonderful World of Disney. ''[20] James also believes Hammerstein would have approved of the color-blind casting, claiming he would have asked why the process took as long as it did. Cinderella will waltz into the hearts of the entire family and live happily ever after as one . Rodgers & Hammerstein's Cinderella (also known as simply Cinderella) is a 1997 American musical fantasy television film produced by Walt Disney Television, directed by Robert Iscove and written by Robert L. Freedman.Based on the French fairy tale by Charles Perrault, the film is the second remake and third version of Rodgers and Hammerstein's musical, which originally aired on television in 1957. [5] Auditions were held in both Los Angeles and New York. [16] The Rodgers & Hammerstein Organization allowed the filmmakers an unusual amount of freedom to modify the musical's script, among these changes making Cinderella a more active heroine;[37] Meron credits Freedman with "giv[ing] her a little bit more of a backbone", ultimately developing the character into a more independent woman. [120], ABC began discussing the possibility of Disney producing more musical films for the network shortly after Cinderella's premiere,[83] originally commissioning its producers to develop similar musicals to broadcast every November. [47] Den of Geek ranked the film the second best "Cinderella" adaptation, describing it as "the first time the story truly felt magical" and writing "Almost twenty-five years later, this adaptation still feels like the television event it was when it premiered. [117] Freedman's teleplay was nominated for a Writers Guild of America Award for Best Children's Script. [127] A Broadway adaptation of the musical premiered in 2013, in which several songs from the 1997 film are re-used, including "There's Music in You". [36] Montalban enjoyed this version of the prince character because "he isn't just holding out for a pretty girl he's looking for someone who will complete him as a person, and he finds all of those qualities in Cinderella. [47] In order to give Cinderella's ballgown a "magical look", Mirojnick combined blue and white detailing into the dress, in addition to incorporating a peplum, a design element that had not been used in previous versions of the gown. View 2816 Paran Pointe Dr, Cookeville, TN 38506 property records for FREE including property ownership, deeds, mortgages, titles & sales history, current & historic tax assessments, legal, parcel & structure description, land use, zoning & more. [24] Fitzpatrick went on to write that the supporting cast lacks "a weak link" entirely, finding it obvious that Houston enjoyed her material and commending the contributions of Peters, Alexander, Goldberg, Garber, Cox and Deselle. Yusof (lahir 14 Julai 1971) atau lebih dikenali sebagai Eizlan Yusof merupakan seorang pelakon dan pengarah Malaysia. Box Office. "[16], Television writer Robert L. Freedman became involved with the project as early as 1993. [14] The network grew disinterested in favor of other titles by 1996,[18] while Houston herself was already committed to several other projects. [123] Inspired by the success of Cinderella, Zadan and Meron saw remaking the musical as an opportunity to rectify the previous adaptation's errors. Solely determined to bolster their own wealth and social status by marrying the prince, Cinderella's stepfamily leaves for the ball, leaving Cinderella home alone. [36] Bernadette Peters was ultimately cast as Cinderella's stepmother, her second villainous role after originating the Witch in the stage musical Into the Woods (1986). [20] Agreeing that Cinderella required a certain "naivete that's just not there when you're 30-something",[17] the producers suggested that Houston play Cinderella's fairy godmother instead,[20] a role she accepted because it was "less demanding" and time consuming. Box office. Critical reception towards the film has improved over time, with several media publications ranking it among the best film adaptations of the fairy tale. Rodgers & Hammerstein's Cinderella is regarded by contemporary critics as a groundbreaking film due to the unprecedented diversity of its cast and Brandy's role. [123] They enlisted Cinderella's choreographer Rob Marshall to direct and making the orphans ethnically diverse. [37] Although the producers agreed that Houston's character would sing the film's closing number,[52] selecting a song for Houston proved a challenge. [90] Essence's Deena Campbell credited the singer with "inspiring other young girls to be Black Cinderellas". The Stork Club . [139] Newsweek opined that Brandy's casting proved that "the idea of a black girl playing the classic Cinderella was [not] unthinkable", calling it "especially significant because" Disney's 1950 film "sent a painful message that only white women could be princesses. I know it was important for Whitney to leave this legacy for her daughter. In the end, Cinderella and the Prince marry in a grand ceremony, while the palace gates close on her stepfamily, forcing them to watch from outside. [8] In 2007, theatre historian John Kenrick dismissed the film as "a desecration of Rodgers & Hammerstein's only original TV musical" despite its popularity, advising audiences to only watch the previous versions of the musical. [76] The film's impending premiere coincided with the launch of the official Rodgers and Hammerstein website, which streamed segments from the upcoming broadcast via RealVideo from October 27 to November 3, 1997. This became the highest-selling home video release of any made-for-television film at that time,[81][82] selling one million copies its first week. "[147] Khoo observed that the film continues to be constantly praised in social media by fans who had grown up with the film for its diversity, concluding, "With so much talk about the lack of diversity in Hollywood these days, Rodgers and Hammerstein's 'Cinderella' is a shining example of the diversity we need. [80] The broadcast attracted a particularly high number of younger audience members, including children, teenagers and young adults, in turn making Cinderella the television season's most popular family show. "[16] His efforts apply to both Cinderella and the prince; while Cinderella pines for independence from her stepfamily and actively disagrees with her stepmother's opinions about gender roles in marriage, the prince protests the idea of being married off to simply anyone his parents choose. Anak-anak. ", "How Brandy's 'Never Say Never' Invented 'The Vocal Bible', "Keke Palmer will play first black Cinderella on Broadway", "Keke Palmer to be Broadway's first black Cinderella", "Will Cinderella's Keke Palmer Return to Broadway? TV Shows. [122] According to Zadan, Cinderella's success "helped secure a future for musicals in the 'Wonderful World of Disney' slot", whose film company Storyline Entertainment started developing new musicals for the series shortly afterward, including Annie (1999). [12] Music producers Chris Montan and Arif Mardin were interested in combining "Broadway legit with Hollywood pop",[12] re-arranging the musical's original orchestration in favor of achieving a more contemporary sound by updating its rhythm and beats. [55] Various elements from Freedman's script were incorporated into the 2000 national tour of Cinderella,[126] which is considered to be the first time the musical was adapted into a legitimate Broadway-style production. [40] Freedman granted the prince "a democratic impulse" that drives him to spend time among the citizens of his country in the hopes of better understanding them. The show loses money, and the home video [market] makes back the money that you lose. Tonight's trending movie pick is the Family/Fantasy/Musical movie Cinderella (1997).Synopsis: Although mis. [37] Meron maintains that these adjustments helped the composition resemble a "Rodgers and Hammerstein song that sounds like a new Whitney Houston record". "[102] McDonagh observed that the color-blindness of the entire cast spares the film from potentially suffering "disturbing overtones" that otherwise could have resulted from images of an African-American Cinderella being mistreated by her Caucasian stepmother.